As noted in Justin Levine’s post, Dissent of the Day, a recent decision of the Court of Appeals for the Federal Circuit holds “that a U.S. stamp which depicts a view of a public Korean War memorial violates the copyright of the sculptor who designed it.” The case involved the sculptures made by Gaylord, a photograph of them made by John Alli (a “derivative work”), and a stamp made using Alli’s photograph. Alli and the USPS did not get Gaylord’s permission. Gaylord sued for copyright infringement.
The lower court had made three determinations:
1. “Mr. Gaylord was the sole author of the soldier sculptures” (the government was not a joint author);
2. “his sculptures were not exempt from copyright protection under the Architectural Works Copyright Protection Act (AWCPA)”, and
3. “the stamp made fair use of Mr. Gaylord’s work.”
Thus, although points 1 and 2 went Gaylord’s way, the USPS still won in the lower court since it had the fair use defense.
On appeal, the CAFC upheld the lower court’s rulings on points 1 and 2, and reversed on 3: they said the stamp was not a fair use. Now I can’t say I am outraged at an agency of the federal government being hampered by federal copyright law. And I am not especially interested in whether the CAFC and lower court were right regarding the first two points (though Judge Pauline Newman, in dissent, was none too happy about it). And while I think the CAFC’s holding on fair use seems defensible based on the language of the fair use statute, it’s instructive to read the court’s reasoning on the “fair use” claim, to get an idea of how obviously artificial and unlibertarian copyright law is. (I’ve written on “Fair Use” before: see World’s Fair Use Day; IP: The Objectivists Strike Back!.)
To decide whether an unauthorized use of a copyrighted work is permissible as a “fair use,” the court has to consider four “factors”:
- The purpose and character of the use, including whether such use is of commercial nature or is for nonprofit educational purposes
- The nature of the copyrighted work
- The amount and substantiality of the portion used in relation to the copyrighted work as a whole
- The effect of the use upon the potential market for, or value of, the copyrighted work. [continue reading…]























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